F# or Gb Major Pentatonic Scale

Five notes (F# G# A# C# D#) rooted on fret 2 of the low E — the pentatonic core of F# / Gb major. Tap any note on the fretboard to hear it played.

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Practice Tips

Tips for Learning the F# / Gb Major Pentatonic Scale on Guitar

Pick the spelling your chart uses

F# (F# G# A# C# D#) and Gb (Gb Ab Bb Db Eb) are enharmonically identical with the same fingerings. Rock and pop tend to write F#; jazz and classical often write Gb.

It is F# major minus the 4th and 7th

Take F# major (F# G# A# B C# D# E#) and remove B (4th) and E# (7th). The pentatonic that remains — F# G# A# C# D# — has no half-steps.

Root on fret 2 of the low E string

F# / Gb sits on fret 2 of the low E string, an accessible position. Anchor the first box there and link the rest up the neck.

Same notes as D# / Eb minor pentatonic

F# / Gb major pentatonic shares all five notes with Eb minor pentatonic. Learn the box once and target either F# (bright) or Eb (dark) as home.

Target F#, A#, and C#

Those notes spell an F# major chord. Resolving onto them sounds complete; G# and D# are the colour tones between.

About this tool

About the F# / Gb Major Pentatonic Scale

F# / Gb major pentatonic is the five-note core of the F# major scale — F#, G#, A#, C#, D# (1, 2, 3, 5, 6). Removing the 4th (B) and 7th (E#) eliminates the half-steps and leaves a bright, consonant scale. F# and Gb are enharmonic twins at the midpoint of the circle of fifths, and the scale shares its notes with Eb minor pentatonic, the relative minor.

  • 01Notes (F#): F# – G# – A# – C# – D#
  • 02Scale degrees: 1 – 2 – 3 – 5 – 6 of F# major
  • 03Built by removing the 4th (B) and 7th (E#) from F# major
  • 04Enharmonic with Gb major pentatonic — identical fingerings
  • 05Relative minor pentatonic: D# / Eb minor pentatonic (same five notes)
  • 06Root on fret 2 of the low E string
  • 07Contains no half-steps — every note is consonant
Scale Tones

F# / Gb Major Pentatonic — note by note

Every major pentatonic uses the same five-note formula — scale degrees 1, 2, 3, 5, and 6 of the major scale, with the 4th and 7th removed. That is what eliminates the half-steps and leaves only consonant tones.

DegreeNoteRoleInterval
1F# / GbRoot (tonic)Unison (0 st)
2G# / AbMajor second+2 semitones
3A# / BbMajor third+4 semitones
5C# / DbPerfect fifth+7 semitones
6D# / EbMajor sixth+9 semitones
Questions

Frequently Asked Questions