B · C#m · D#m · E · F# · G#m · A#dim
Every major key follows the same pattern: major, minor, minor, major, major, minor, diminished.
B Major chord chart
| Degree | Numeral | Chord | Notes | 7th chord | Function |
|---|---|---|---|---|---|
| 1 | I | B | B – D# – F# | Bmaj7 | Tonic |
| 2 | ii | C#m | C# – E – G# | C#m7 | Supertonic |
| 3 | iii | D#m | D# – F# – A# | D#m7 | Mediant |
| 4 | IV | E | E – G# – B | Emaj7 | Subdominant |
| 5 | V | F# | F# – A# – C# | F#7 | Dominant |
| 6 | vi | G#m | G# – B – D# | G#m7 | Submediant |
| 7 | vii° | A#dim | A# – C# – E | A#m7b5 | Leading tone |
B major scale: B – C# – D# – E – F# – G# – A#. Key signature: 5 sharps (F♯, C♯, G♯, D♯, A♯).
Common chord progressions in B Major
The pop progression
I – V – vi – IV
- IB
- VF#
- viG#m
- IVE
The four-chord loop behind a huge share of modern pop, rock and worship songs.
Three-chord progression
I – IV – V – I
- IB
- IVE
- VF#
- IB
The three primary chords, I, IV and V — the backbone of blues, folk, country and early rock and roll.
Minor-start loop
vi – IV – I – V
- viG#m
- IVE
- IB
- VF#
The pop progression started on the vi. Same four chords, but opening on the minor chord makes the loop sound darker.
50s progression
I – vi – IV – V
- IB
- viG#m
- IVE
- VF#
The doo-wop progression of 1950s ballads, and still one of the most common loops in songwriting.
ii – V – I
ii7 – V7 – Imaj7
- ii7C#m7
- V7F#7
- Imaj7Bmaj7
The jazz cadence, played with 7th chords as it almost always is. The single most common move in jazz standards.
Canon progression
I – V – vi – iii – IV – I – IV – V
- IB
- VF#
- viG#m
- iiiD#m
- IVE
- IB
- IVE
- VF#
The eight-chord sequence of Pachelbel's Canon, borrowed by countless pop songs since.
Want more? Generate a progression in B Major by style, or build your own in the Chord Progression Player.
7th chords in the key of B Major
Add the next note of the scale on top of each chord and you get its diatonic 7th chord — the sound of jazz, soul and R&B in B major.
Playing in B Major on guitar
1 of the 7 chords is an open chord (E); B, C#m, D#m, F#, G#m, A#dim need a barre or a moveable shape. A capo lets you swap those for open shapes:
Capo 4 + G major shapes
Finger G, Am, Bm, C, D, Em, F#dim — they sound as B, C#m, D#m, E, F#, G#m, A#dim. 5 of the 7 shapes are open chords.
See the G major chords
Frequently Asked Questions
The key of B major has seven chords: B, C#m, D#m, E, F#, G#m and A#dim. Each is built from the notes of the B major scale (B C# D# E F# G# A#), so all seven share one key signature: 5 sharps (F♯, C♯, G♯, D♯, A♯).
B, E and F# — the I, IV and V chords. Those three contain every note of the B major scale between them, which is why so many songs in B major use little else.
G# minor. It uses the same seven chords and the same key signature as B major; the difference is which chord feels like home. A song that keeps returning to G#m is in G# minor; one that settles on B is in B major.
5 sharps (F♯, C♯, G♯, D♯, A♯). B major shares its key signature with its relative minor, G# minor.
F#, the V chord. Its 7th chord, F#7, is the only dominant 7th in the key, and F#7 → B is the strongest way to end a song in B major.
Bmaj7, C#m7, D#m7, Emaj7, F#7, G#m7 and A#m7b5. Each adds the next note of the scale on top of the triad, which gives two major 7ths, three minor 7ths, one dominant 7th and one half-diminished (m7♭5).
Stacking the scale notes on A# gives A#, C#, E: a minor 3rd and then another minor 3rd, so the 5th is flattened. It is the least-used chord in the key — songs often skip it, or use F#7 where it would go.
Use a capo. Only 1 of the 7 chords in B major is an open chord, but with a capo on fret 4 you can play G major shapes (G, Am, Bm, C, D, Em and F#dim) and they sound in B major. 5 of those shapes are open chords.
Yes — the same pitches, spelled two ways. B major is written with 5 sharps (F♯, C♯, G♯, D♯, A♯); C♭ major with 7 flats (B♭, E♭, A♭, D♭, G♭, C♭, F♭). Its chords are C♭ (B), D♭m, E♭m, F♭ (E), G♭, A♭m and B♭dim, and on guitar they use exactly the same shapes as the chords on this page.