D♭ · E♭m · Fm · G♭ · A♭ · B♭m · Cdim
Every major key follows the same pattern: major, minor, minor, major, major, minor, diminished.
D♭ Major chord chart
| Degree | Numeral | Chord | Notes | 7th chord | Function |
|---|---|---|---|---|---|
| 1 | I | D♭ | D♭ – F – A♭ | D♭maj7 | Tonic |
| 2 | ii | E♭m | E♭ – G♭ – B♭ | E♭m7 | Supertonic |
| 3 | iii | Fm | F – A♭ – C | Fm7 | Mediant |
| 4 | IV | G♭ | G♭ – B♭ – D♭ | G♭maj7 | Subdominant |
| 5 | V | A♭ | A♭ – C – E♭ | A♭7 | Dominant |
| 6 | vi | B♭m | B♭ – D♭ – F | B♭m7 | Submediant |
| 7 | vii° | Cdim | C – E♭ – G♭ | Cm7b5 | Leading tone |
D♭ major scale: D♭ – E♭ – F – G♭ – A♭ – B♭ – C. Key signature: 5 flats (B♭, E♭, A♭, D♭, G♭).
Common chord progressions in D♭ Major
The pop progression
I – V – vi – IV
- ID♭
- VA♭
- viB♭m
- IVG♭
The four-chord loop behind a huge share of modern pop, rock and worship songs.
Three-chord progression
I – IV – V – I
- ID♭
- IVG♭
- VA♭
- ID♭
The three primary chords, I, IV and V — the backbone of blues, folk, country and early rock and roll.
Minor-start loop
vi – IV – I – V
- viB♭m
- IVG♭
- ID♭
- VA♭
The pop progression started on the vi. Same four chords, but opening on the minor chord makes the loop sound darker.
50s progression
I – vi – IV – V
- ID♭
- viB♭m
- IVG♭
- VA♭
The doo-wop progression of 1950s ballads, and still one of the most common loops in songwriting.
ii – V – I
ii7 – V7 – Imaj7
- ii7E♭m7
- V7A♭7
- Imaj7D♭maj7
The jazz cadence, played with 7th chords as it almost always is. The single most common move in jazz standards.
Canon progression
I – V – vi – iii – IV – I – IV – V
- ID♭
- VA♭
- viB♭m
- iiiFm
- IVG♭
- ID♭
- IVG♭
- VA♭
The eight-chord sequence of Pachelbel's Canon, borrowed by countless pop songs since.
Want more? Generate a progression in D♭ Major by style, or build your own in the Chord Progression Player.
7th chords in the key of D♭ Major
Add the next note of the scale on top of each chord and you get its diatonic 7th chord — the sound of jazz, soul and R&B in D♭ major.
Playing in D♭ Major on guitar
None of the 7 chords in D♭ major is an open chord in standard tuning — every one needs a barre or a moveable shape. A capo lets you swap those for open shapes:
Capo 1 + C major shapes
Finger C, Dm, Em, F, G, Am, Bdim — they sound as D♭, E♭m, Fm, G♭, A♭, B♭m, Cdim. 5 of the 7 shapes are open chords.
See the C major chordsCapo 6 + G major shapes
Finger G, Am, Bm, C, D, Em, F#dim — they sound as D♭, E♭m, Fm, G♭, A♭, B♭m, Cdim. 5 of the 7 shapes are open chords.
See the G major chords
Frequently Asked Questions
The key of D♭ major has seven chords: D♭, E♭m, Fm, G♭, A♭, B♭m and Cdim. Each is built from the notes of the D♭ major scale (D♭ E♭ F G♭ A♭ B♭ C), so all seven share one key signature: 5 flats (B♭, E♭, A♭, D♭, G♭).
D♭, G♭ and A♭ — the I, IV and V chords. Those three contain every note of the D♭ major scale between them, which is why so many songs in D♭ major use little else.
B♭ minor. It uses the same seven chords and the same key signature as D♭ major; the difference is which chord feels like home. A song that keeps returning to B♭m is in B♭ minor; one that settles on D♭ is in D♭ major.
5 flats (B♭, E♭, A♭, D♭, G♭). D♭ major shares its key signature with its relative minor, B♭ minor.
A♭, the V chord. Its 7th chord, A♭7, is the only dominant 7th in the key, and A♭7 → D♭ is the strongest way to end a song in D♭ major.
D♭maj7, E♭m7, Fm7, G♭maj7, A♭7, B♭m7 and Cm7b5. Each adds the next note of the scale on top of the triad, which gives two major 7ths, three minor 7ths, one dominant 7th and one half-diminished (m7♭5).
Stacking the scale notes on C gives C, E♭, G♭: a minor 3rd and then another minor 3rd, so the 5th is flattened. It is the least-used chord in the key — songs often skip it, or use A♭7 where it would go.
Use a capo. None of the 7 chords in D♭ major are open chords, but with a capo on fret 1 you can play C major shapes (C, Dm, Em, F, G, Am and Bdim) and they sound in D♭ major. 5 of those shapes are open chords.
Yes — the same pitches, spelled two ways. D♭ major is written with 5 flats (B♭, E♭, A♭, D♭, G♭); C# major with 7 sharps (F♯, C♯, G♯, D♯, A♯, E♯, B♯). Its chords are C#, D#m, E#m (Fm), F#, G#, A#m and B#dim (Cdim), and on guitar they use exactly the same shapes as the chords on this page.