Gm · Adim · B♭ · Cm · Dm · E♭ · F
Every natural minor key follows the same pattern: minor, diminished, major, minor, minor, major, major.
G Minor chord chart
| Degree | Numeral | Chord | Notes | 7th chord | Function |
|---|---|---|---|---|---|
| 1 | i | Gm | G – B♭ – D | Gm7 | Tonic |
| 2 | ii° | Adim | A – C – E♭ | Am7b5 | Supertonic |
| 3 | III | B♭ | B♭ – D – F | B♭maj7 | Mediant |
| 4 | iv | Cm | C – E♭ – G | Cm7 | Subdominant |
| 5 | v | Dm | D – F – A | Dm7 | Dominant |
| 6 | VI | E♭ | E♭ – G – B♭ | E♭maj7 | Submediant |
| 7 | VII | F | F – A – C | F7 | Subtonic |
G minor scale: G – A – B♭ – C – D – E♭ – F. Key signature: 2 flats (B♭, E♭).
Common chord progressions in G Minor
Minor pop loop
i – VI – III – VII
- iGm
- VIE♭
- IIIB♭
- VIIF
The four chords of the pop progression, started on the minor chord — i, VI, III, VII in a minor key is I, V, vi, IV in its relative major.
Minor three-chord progression
i – iv – v – i
- iGm
- ivCm
- vDm
- iGm
The primary chords of the minor key, i, iv and v. Swap the minor v for the major V below for a stronger pull home.
Andalusian cadence
i – VII – VI – V
- iGm
- VIIF
- VIE♭
- VD
A stepwise walk down to the major V — the sound of flamenco, and of a long list of rock songs.
Descending fifths
i – iv – VII – III
- iGm
- ivCm
- VIIF
- IIIB♭
Each root is a 5th below the one before — the circle of fifths moving through the minor key.
Rising VI – VII
i – VI – VII – i
- iGm
- VIE♭
- VIIF
- iGm
Climbs from the VI through the VII back home to i — a staple of rock choruses and film scores.
Minor ii – V – i
iiø7 – V7 – i7
- iiø7Am7b5
- V7D7
- i7Gm7
The minor-key jazz cadence. The V7 comes from the harmonic minor scale, which is what makes it resolve so strongly.
Want more? Generate a progression in G Minor by style, or build your own in the Chord Progression Player.
7th chords in the key of G Minor
Add the next note of the scale on top of each chord and you get its diatonic 7th chord — the sound of jazz, soul and R&B in G minor.
Why songs in G minor use D, not Dm
The natural minor scale makes the v chord minor (Dm), and it only weakly leads home. Raise the scale's 7th note to F# — the G harmonic minor scale — and the chord becomes D major, or D7. That F# sits a half step below G and pulls straight to it, which is why most minor-key songs end on D → Gm or D7 → Gm.
Playing in G Minor on guitar
2 of the 7 chords are open chords (Adim, Dm); Gm, B♭, Cm, E♭, F need a barre or a moveable shape. A capo lets you swap those for open shapes:
Capo 3 + E minor shapes
Finger Em, F#dim, G, Am, Bm, C, D — they sound as Gm, Adim, B♭, Cm, Dm, E♭, F. 5 of the 7 shapes are open chords.
See the E minor chords
Frequently Asked Questions
The key of G minor has seven chords: Gm, Adim, B♭, Cm, Dm, E♭ and F. Each is built from the notes of the G natural minor scale (G A B♭ C D E♭ F), so all seven share one key signature: 2 flats (B♭, E♭).
Gm, Cm and Dm — the i, iv and v chords. Those three contain every note of the G minor scale between them, which is why so many songs in G minor use little else.
B♭ major. It uses the same seven chords and the same key signature as G minor; the difference is which chord feels like home. A song that keeps returning to B♭ is in B♭ major; one that settles on Gm is in G minor.
2 flats (B♭, E♭). G minor shares its key signature with its relative major, B♭ major.
The natural G minor scale gives a minor v chord, Dm, which only weakly leads home. Raising the scale's 7th note to F# (the harmonic minor scale) turns it into D major, or D7, whose F# sits a half step below G and pulls straight to it. Most minor-key songs use the major V at cadences.
Gm7, Am7b5, B♭maj7, Cm7, Dm7, E♭maj7 and F7. Each adds the next note of the scale on top of the triad, which gives three minor 7ths, two major 7ths, one dominant 7th and one half-diminished (m7♭5).
Stacking the scale notes on A gives A, C, E♭: a minor 3rd and then another minor 3rd, so the 5th is flattened. It is the least-used chord in the key — songs often skip it, or use Cm where it would go.
Use a capo. Only 2 of the 7 chords in G minor are open chords, but with a capo on fret 3 you can play E minor shapes (Em, F#dim, G, Am, Bm, C and D) and they sound in G minor. 5 of those shapes are open chords.