F6 Chord
1st Fret · E-String RootThe jazz 6th grip, sitting at the nut. Index on the low E at fret 1 for F, let the open D string ring for D (the 6th), ring finger on the G string at fret 2 for A and middle on the B string at fret 1 for C. Four notes, one each, with the 6th in the middle of the chord rather than on top — the warm, close sound of a swing rhythm guitar. The A and high e strings stay silent.
F6 Chord
3rd Fret · D-String RootFour strings, rooted on the D string — the voicing for when the bass player has the low end. Index flat across the D, G and B strings at fret 3: that sounds F on the D string and D, the 6th, on the B. Ring on the G string at fret 5 for C and pinky on the high e at fret 5 for A. It is the open D6 shape moved up the neck, with the index standing in for the nut. Mute the low E and A.
F6 Chord
8th Fret · A-String RootThe A-shape barre chord with one note moved. Index on the A string at fret 8 for F, then flatten the ring finger across the D, G, B and high e strings at fret 10 — that gives C, F, A and D. In a plain major barre the high e would sit back at fret 8; pushing it up two frets is the whole difference between F and F6. Mute the low E.
One note on top of a major chord
Start from F major — F, A, C — and add D, the note a whole step above the 5th. Nothing is taken away, which is why F6 can stand in for a plain F almost anywhere.
Same notes as Dm7
F6 and Dm7 are spelled with the same four notes. Put F in the bass and it is F6; put D in the bass and it is Dm7. Every shape on this page keeps F lowest, so let the root ring.
Use it as a home chord
A 6th chord is stable — unlike a 7th it does not pull anywhere. That is why jazz, swing and western swing so often end a tune on F6 instead of a plain F.
The boogie shuffle
Blues and rock and roll rhythm parts rock between the 5th and the 6th over the root: F and C, then F and D, back and forth. That shuffle is the 6th chord broken into two halves.
Slide the grip
None of the three shapes here uses an open string, so all of them slide. Move any one up two frets and you have G6; down one and you have E6.
About the F6 Chord on Guitar
The F6 chord is built from four notes: F (the root), A (the major 3rd), C (the perfect 5th) and D (the major 6th) — formula 1 – 3 – 5 – 6. It is a F major triad with one note added, the 6th, which sits a whole step above the 5th. Nothing is taken away, so the chord is still major and still settled; the 6th only softens it into the sweet, slightly vintage sound of swing, western swing, doo-wop and early rock and roll, where F6 is a favourite last chord. It is written as a bare 6 after the root letter, and occasionally as Fmaj6 or Fadd6 — all three mean the same chord. F6 also has an unusual twin: Dm7 contains exactly the same four notes, D–F–A–C, so the name depends on which note is in the bass. With F lowest, as in every shape here, it is F6. Do not confuse it with Fmaj7, which adds the major 7th instead of the 6th, with Fm6, which keeps the 6th but flattens the 3rd, or with F6/9, which adds the 9th on top as well. This page covers three voicings: the E-string jazz grip at fret 1, a four-string form rooted on the D string at fret 3, and the A-string root barre at fret 8. Every diagram is interactive and playable with acoustic guitar sound.
- 013 F6 chord shapes at intermediate level
- 02Interactive diagrams — click Play to hear each chord
- 03Acoustic guitar sound via audio engine
- 04Built from 4 notes: F, A, C and D (formula 1 – 3 – 5 – 6)
- 05A-string root, E-string root, and D-string root voicings
- 06Difficulty rating on every shape
- 07Free — no sign-up or download needed
ANATOMY
Chord Tones
The 4 notes that form the F Major 6th chord and their role in the major scale.
Every major 6th chord follows this same formula — root, major third, perfect fifth, and the major 6th added on top (no 7th).
Frequently Asked Questions
Play 1-x-0-2-1-x — index on the low E at fret 1 for the root, the open D string as the 6th, ring on the G string at fret 2, and middle on the B string at fret 1. Mute the A and high e strings.
F, A, C and D — root, major 3rd, perfect 5th and major 6th.
Same four notes, different bass. F6 is F–A–C–D; Dm7 is D–F–A–C. With F as the lowest note it is F6, which is how every shape on this page is voiced.
As a softer, sweeter F major — the final chord of a jazz or swing tune, the home chord of a doo-wop progression, or anywhere a plain F sounds too bare. It is stable, so unlike F7 it does not need to resolve.