Fm · Gdim · A♭ · B♭m · Cm · D♭ · E♭
Every natural minor key follows the same pattern: minor, diminished, major, minor, minor, major, major.
F Minor chord chart
| Degree | Numeral | Chord | Notes | 7th chord | Function |
|---|---|---|---|---|---|
| 1 | i | Fm | F – A♭ – C | Fm7 | Tonic |
| 2 | ii° | Gdim | G – B♭ – D♭ | Gm7b5 | Supertonic |
| 3 | III | A♭ | A♭ – C – E♭ | A♭maj7 | Mediant |
| 4 | iv | B♭m | B♭ – D♭ – F | B♭m7 | Subdominant |
| 5 | v | Cm | C – E♭ – G | Cm7 | Dominant |
| 6 | VI | D♭ | D♭ – F – A♭ | D♭maj7 | Submediant |
| 7 | VII | E♭ | E♭ – G – B♭ | E♭7 | Subtonic |
F minor scale: F – G – A♭ – B♭ – C – D♭ – E♭. Key signature: 4 flats (B♭, E♭, A♭, D♭).
Common chord progressions in F Minor
Minor pop loop
i – VI – III – VII
- iFm
- VID♭
- IIIA♭
- VIIE♭
The four chords of the pop progression, started on the minor chord — i, VI, III, VII in a minor key is I, V, vi, IV in its relative major.
Minor three-chord progression
i – iv – v – i
- iFm
- ivB♭m
- vCm
- iFm
The primary chords of the minor key, i, iv and v. Swap the minor v for the major V below for a stronger pull home.
Andalusian cadence
i – VII – VI – V
- iFm
- VIIE♭
- VID♭
- VC
A stepwise walk down to the major V — the sound of flamenco, and of a long list of rock songs.
Descending fifths
i – iv – VII – III
- iFm
- ivB♭m
- VIIE♭
- IIIA♭
Each root is a 5th below the one before — the circle of fifths moving through the minor key.
Rising VI – VII
i – VI – VII – i
- iFm
- VID♭
- VIIE♭
- iFm
Climbs from the VI through the VII back home to i — a staple of rock choruses and film scores.
Minor ii – V – i
iiø7 – V7 – i7
- iiø7Gm7b5
- V7C7
- i7Fm7
The minor-key jazz cadence. The V7 comes from the harmonic minor scale, which is what makes it resolve so strongly.
Want more? Generate a progression in F Minor by style, or build your own in the Chord Progression Player.
7th chords in the key of F Minor
Add the next note of the scale on top of each chord and you get its diatonic 7th chord — the sound of jazz, soul and R&B in F minor.
Why songs in F minor use C, not Cm
The natural minor scale makes the v chord minor (Cm), and it only weakly leads home. Raise the scale's 7th note to E — the F harmonic minor scale — and the chord becomes C major, or C7. That E sits a half step below F and pulls straight to it, which is why most minor-key songs end on C → Fm or C7 → Fm.
Playing in F Minor on guitar
None of the 7 chords in F minor is an open chord in standard tuning — every one needs a barre or a moveable shape. A capo lets you swap those for open shapes:
Capo 1 + E minor shapes
Finger Em, F#dim, G, Am, Bm, C, D — they sound as Fm, Gdim, A♭, B♭m, Cm, D♭, E♭. 5 of the 7 shapes are open chords.
See the E minor chordsCapo 6 + B minor shapes
Finger Bm, C#dim, D, Em, F#m, G, A — they sound as Fm, Gdim, A♭, B♭m, Cm, D♭, E♭. 4 of the 7 shapes are open chords.
See the B minor chords
Frequently Asked Questions
The key of F minor has seven chords: Fm, Gdim, A♭, B♭m, Cm, D♭ and E♭. Each is built from the notes of the F natural minor scale (F G A♭ B♭ C D♭ E♭), so all seven share one key signature: 4 flats (B♭, E♭, A♭, D♭).
Fm, B♭m and Cm — the i, iv and v chords. Those three contain every note of the F minor scale between them, which is why so many songs in F minor use little else.
A♭ major. It uses the same seven chords and the same key signature as F minor; the difference is which chord feels like home. A song that keeps returning to A♭ is in A♭ major; one that settles on Fm is in F minor.
4 flats (B♭, E♭, A♭, D♭). F minor shares its key signature with its relative major, A♭ major.
The natural F minor scale gives a minor v chord, Cm, which only weakly leads home. Raising the scale's 7th note to E (the harmonic minor scale) turns it into C major, or C7, whose E sits a half step below F and pulls straight to it. Most minor-key songs use the major V at cadences.
Fm7, Gm7b5, A♭maj7, B♭m7, Cm7, D♭maj7 and E♭7. Each adds the next note of the scale on top of the triad, which gives three minor 7ths, two major 7ths, one dominant 7th and one half-diminished (m7♭5).
Stacking the scale notes on G gives G, B♭, D♭: a minor 3rd and then another minor 3rd, so the 5th is flattened. It is the least-used chord in the key — songs often skip it, or use B♭m where it would go.
Use a capo. None of the 7 chords in F minor are open chords, but with a capo on fret 1 you can play E minor shapes (Em, F#dim, G, Am, Bm, C and D) and they sound in F minor. 5 of those shapes are open chords.