Cm · Ddim · E♭ · Fm · Gm · A♭ · B♭
Every natural minor key follows the same pattern: minor, diminished, major, minor, minor, major, major.
C Minor chord chart
| Degree | Numeral | Chord | Notes | 7th chord | Function |
|---|---|---|---|---|---|
| 1 | i | Cm | C – E♭ – G | Cm7 | Tonic |
| 2 | ii° | Ddim | D – F – A♭ | Dm7b5 | Supertonic |
| 3 | III | E♭ | E♭ – G – B♭ | E♭maj7 | Mediant |
| 4 | iv | Fm | F – A♭ – C | Fm7 | Subdominant |
| 5 | v | Gm | G – B♭ – D | Gm7 | Dominant |
| 6 | VI | A♭ | A♭ – C – E♭ | A♭maj7 | Submediant |
| 7 | VII | B♭ | B♭ – D – F | B♭7 | Subtonic |
C minor scale: C – D – E♭ – F – G – A♭ – B♭. Key signature: 3 flats (B♭, E♭, A♭).
Common chord progressions in C Minor
Minor pop loop
i – VI – III – VII
- iCm
- VIA♭
- IIIE♭
- VIIB♭
The four chords of the pop progression, started on the minor chord — i, VI, III, VII in a minor key is I, V, vi, IV in its relative major.
Minor three-chord progression
i – iv – v – i
- iCm
- ivFm
- vGm
- iCm
The primary chords of the minor key, i, iv and v. Swap the minor v for the major V below for a stronger pull home.
Andalusian cadence
i – VII – VI – V
- iCm
- VIIB♭
- VIA♭
- VG
A stepwise walk down to the major V — the sound of flamenco, and of a long list of rock songs.
Descending fifths
i – iv – VII – III
- iCm
- ivFm
- VIIB♭
- IIIE♭
Each root is a 5th below the one before — the circle of fifths moving through the minor key.
Rising VI – VII
i – VI – VII – i
- iCm
- VIA♭
- VIIB♭
- iCm
Climbs from the VI through the VII back home to i — a staple of rock choruses and film scores.
Minor ii – V – i
iiø7 – V7 – i7
- iiø7Dm7b5
- V7G7
- i7Cm7
The minor-key jazz cadence. The V7 comes from the harmonic minor scale, which is what makes it resolve so strongly.
Want more? Generate a progression in C Minor by style, or build your own in the Chord Progression Player.
7th chords in the key of C Minor
Add the next note of the scale on top of each chord and you get its diatonic 7th chord — the sound of jazz, soul and R&B in C minor.
Why songs in C minor use G, not Gm
The natural minor scale makes the v chord minor (Gm), and it only weakly leads home. Raise the scale's 7th note to B — the C harmonic minor scale — and the chord becomes G major, or G7. That B sits a half step below C and pulls straight to it, which is why most minor-key songs end on G → Cm or G7 → Cm.
Playing in C Minor on guitar
None of the 7 chords in C minor is an open chord in standard tuning — every one needs a barre or a moveable shape. A capo lets you swap those for open shapes:
Capo 3 + A minor shapes
Finger Am, Bdim, C, Dm, Em, F, G — they sound as Cm, Ddim, E♭, Fm, Gm, A♭, B♭. 5 of the 7 shapes are open chords.
See the A minor chordsCapo 1 + B minor shapes
Finger Bm, C#dim, D, Em, F#m, G, A — they sound as Cm, Ddim, E♭, Fm, Gm, A♭, B♭. 4 of the 7 shapes are open chords.
See the B minor chords
Frequently Asked Questions
The key of C minor has seven chords: Cm, Ddim, E♭, Fm, Gm, A♭ and B♭. Each is built from the notes of the C natural minor scale (C D E♭ F G A♭ B♭), so all seven share one key signature: 3 flats (B♭, E♭, A♭).
Cm, Fm and Gm — the i, iv and v chords. Those three contain every note of the C minor scale between them, which is why so many songs in C minor use little else.
E♭ major. It uses the same seven chords and the same key signature as C minor; the difference is which chord feels like home. A song that keeps returning to E♭ is in E♭ major; one that settles on Cm is in C minor.
3 flats (B♭, E♭, A♭). C minor shares its key signature with its relative major, E♭ major.
The natural C minor scale gives a minor v chord, Gm, which only weakly leads home. Raising the scale's 7th note to B (the harmonic minor scale) turns it into G major, or G7, whose B sits a half step below C and pulls straight to it. Most minor-key songs use the major V at cadences.
Cm7, Dm7b5, E♭maj7, Fm7, Gm7, A♭maj7 and B♭7. Each adds the next note of the scale on top of the triad, which gives three minor 7ths, two major 7ths, one dominant 7th and one half-diminished (m7♭5).
Stacking the scale notes on D gives D, F, A♭: a minor 3rd and then another minor 3rd, so the 5th is flattened. It is the least-used chord in the key — songs often skip it, or use Fm where it would go.
Use a capo. None of the 7 chords in C minor are open chords, but with a capo on fret 3 you can play A minor shapes (Am, Bdim, C, Dm, Em, F and G) and they sound in C minor. 5 of those shapes are open chords.